third part of four in the imbroglios series.

extremely limited edition 5x12 inch boxset, individually numbered and includes free download card for the digital bundle... only 1 copy per customer / nur 1 box pro kunde

after fantastic release by four walls and tommy finger jr we proudly present you a great talent from russia!

12 inch compilation featuring four slamming early 90s underground garage house classics from legendary producer mk. this is mk at his absolute best showcasing his trademark cut up vocals, swingin beats, killer synth hooks & deep deep bass. included first are the highly in-demand remixes of jodeci & happy head. only ever released as limited promos, these absolute bombs instantly became underground anthems and have been rocking dancefloors ever since. on the flip we get the awesome dub mix of ethyl meatplows *queenie*. a notoriously controversial track, it features an incredibly phat bassline and some utterly unforgettable xxx rated vocals. finally, its mks wonderful rework of bette midlers *to deserve you*, another killer mix that became massive on the underground scene and pirate radio stations and is sure to bring memories flooding back for those who were around. nostalgia at its unmitigated best.

the second release from the danish label includes four slamming tracks from londons boxwork.

part one of a four part series.

pushing oldschool spiced techno with a dark edge by the sheffield dogs who easily earned an extra treat. 180gr vinyl

vanguard sound proudly presents their new sub label anunnaki cartel! this debut release features four strong analogue chicago acid-house & house tracks by chris mitchell, amir alexander, joey anderson and chris and amir. limited copies and no repress

originally produced in 1997, this ep from this chicago producer finally gets a proper release. here he drops four dirty, deep house tracks that are heavy on the samples, loose with the drums, and serious with the dancefloor action.

while fetsum is about to take the us by storm (after a california tour, in march hes going to perform at the sxsw festival in austin and at the pre-oscars party at the villa aurora in la) sonar kollektiv releases four seminal remixes of his song letters from damascus. one of the centre pieces of his current album the colors of hope is not describing the political situation in syria, its more of an autobiographical tale about the golden voiced german-eriteans life.

after two in as many years, low-key german producer yor returns to similarly low key dutch imprint purple maze for his third full outing on the label in the form of the sublimation ep. across the four tracks yor continues to explore the same frayed and decayed, abstract electronics as he has in the past, with distant kins like kassem mosse and morphosis still resonating.

the weird house music composers from brazil strike again with four slices of spaced-out dance floor sounds. psychedelic is just one of the adjectives that come to mind when hearing brazilian duo colors sound system. on their first single for lovemonk, sao paolo brothers jota wagner and wander a, who call themselves weird house music composers, continue on the path to a higher state of consciousness with four slices of mind-altering disco and house splashed with spacemen 3-like vocals and seventies prog guitars and organs. just listen to the almost eleven minutes of *ar* if you dont believe. or *1974*. or *poeira lunar*, for that matter. the beatless title track is the only one staying under the seven-minute limit, and it is also the last track on the ep, like a much-needed comedown. space is the place, as the great sun ra said.

after appearing on some of big strick cuts like alpha & omega and resivior dogs the newest addition to the 7days ent camp, at 17 years of age, brings his first self titled e.p. a four song masterpiece that is sure to move the dance floor.

forget me not is a trio from bristol with a rich musical history and close association to the city from which they hail. as solo artists they have put out countless d&b 12 inches and now combine their forces into an even more powerful production outfit. and that is all we are telling you ahead of the release of their four track ep, stronger, on losing suki.

the second part of the two part series featuring new tracks by developer, ascion and new rising talent elyas. four deep throbbing techno tracks made for loud systems and packed floors. the release has already been getting play by numerous international talents and the response has been huge. dont sleep!

rhythm and melody, the beat and the bass - thats what proper club music is all about. and with current chihouse revivalists galore, its really hard to come up with something really true to the roots, and brilliantly fresh at the same time. recognition recordings, run steadily by jacek sienkiewicz, polands true visionary of contemporary club beats in a world of post-techno, passes its 30th release with this four-track marvel of an ep by one chino

third sides infamous *shit on me*, taken from their first full-length release, *unified fields* is given a four-pronged remix ante up by some of technos more illustrious figures. virginia is back on duty with a fierce and hypnotic twist of jagged percussion and echoing sample blends, transforming the original into an obscure and minimalistic techno voyage, whereas morphosis injects his peerless swamp of sonic oddity under his ra.h moniker – reducing the original into a truly experimental six minutes of chilling effects, echoing percussion and irregular drum bursts…a true hardware show. on the flipside, marco shuttle tears up the beat into a twisting, bass-morphing machine stomp, replacing the originals drums and hi-hats with a mesmerizing cascade of sharp vocals and flickering note-repeats. finally, the elusive techno excursionists, xenogears give the original an ominous industrial edge, where harsh drum machine distortions meet long, dreary pads and cavernous vocal shots of the finest analogue calibre. techno restoration is back with a vengeance.

here we fully available this fantastic ep, exclusive vinyl of our great artist aldo cadiz, working well in the worldwide productions sosa ibiza & andres fernandez aka kanario, ep consists of four major sections of a fairly impressive to sound more analog and underground

chez damier presents minister mike, soy mustafa, garrett david, salah arnese... four tracks with brilliant deep house... detroit / chicago rooted

young belgian producer locked groove (aka tim van de meutter) cements an increasingly central role in the hotflush family fold with the release of the two part heritage ep. since his debut on the label, tim has propagated what he himself has termed 100% house and techno, combining elements of the big room, the deep and moody and straight up four-to-the-floor both into the space of a single track, and across the length of an ep. taking a marked step on from last years rooted and keep it simple eps, heritage pursues a joining of musical dots between and beyond classic house and techno, from the kerri chandler-esque house of *wear it well* through the epic landscaping of *lost* to *dream within a dream* blade runner beach party. in this collection, the young producer delivers two sets of three outstanding, genre-straddling tracks that further help to bolster hotflushs legacy as one of the most forward-thinking labels operating in 2013.

fluxus is danny scrillas first transmission for civil music and the munich based producers second release. following on from 2012s flash powder ep for om units cosmic bridge label, *fluxus* sees scrilla in expected fine form, and takes in four original neck snapping instrumental tracks plus two remixes from japans deep medi member goth-trad and london producer and one to watch deft. on fluxus scrillas productions run at 80-90bpm / 160-180 bpm exploiting slowfast halftime tempos yet are seemingly engineered from the sonic essence of 06 og dubsteps dark sparse dreadnought sounds, with waves of quaking bass growing under iced-out percussion accentuated by toiling snares. floating chords and hypnotic melodies drive skeletal riddims, sci-fi synthlines arc over the spacious heavyweight ruffage built for towering stacks and pitch black rooms.

slamming four track vinyl with groovy hypntic tracks... a side masomenos together with tobi neumann

cashmere cat, very favorite norwegian of contemporary music, mixing electronic music, minimal and rnb, released his first ep *mirror maru* on pelican fly records in last october. in collaboration with pelican fly, ed banger records releases a new ep where you can find remixes of the tracks *mirror maru* and *kiss kiss*: four new versions of this two tracks by feadz&kito, g vump, canblaster, and busy-p. digital download code included.

vester koza will release his self titled ep on his new imprint maslo early 2013. the release features four tracks that brought him to the attention of workshops even tuell and lowtec, ben ufo, xdb, madteo, jane fitz and mitsuaki komamura with a batch of demo recordings that circulated late last year. comprised of four selected tracks written over a twelve month period in his east london studio, this debut ep is the first of a planned series on the label to be released this year. the works have been mastered by helmut erler at dubplates and mastering berlin.

another slab of wax from the large music crew and this one is a beast! four fresh delectable cuts all with the classic deep large music house vibe. side a stars berlins nathan g with a garage workout and evan iff with a nod to classic vintage styles. side b features james dexter working out a chicago jack track and denmarks jacob bech with a sweaty nu school workout. get large 2013!

excellent deep house four track vinyl

slammin four track vinyl with excellent disco and deep house stuff...

born and raised in the kalakuta republic and having witnessed music from the four corners of the world, the kalakuta soul system has put up its own and long overdue music label to reach out with inspiring gems they had held secret for a long time. bringing finely selected releases from the most respected producers and djs, the kalakuta soul system meticulously discusses the content of each and every tracklist leaving the headquarter of their kalakuta republic. the first release on kalakuta soul records comes from the elementary spine of the kalakuta soul system that goes under the name cuttlefish & asparagus, a vital combination of vinyl collectors and meticulous sound engineers that have worked for almost 20 years on inspiring cuts and rough jams. all tracks are produced with a single aluminum fork and a ceramic pasta dish.

the first part in the two part series featuring new tracks by developer, psyk and new emerging talent rhomb. four funked out raw techno tracks built for the floor or the club. the release has gained support by all the heavy weights in techno landing continuous play on floors around the world. huge support!

nice price deal !!! clouds return to ramp after a long hiatus in the studio to deliver their upcoming usb islands mini-album. from the orchestral opener cannibal generals, to the tapped auto-tuned euphoria of i ll be broke, to the loose and rattling dubstep of you go to my head, finlands clouds are very much back on form.

four releases in now and the quality continues on midnight love club! montel presents the forth release in the shape of 3 heavy duty club cuts with a rather distinct nod to the house sound of 90s nyc/nj. there s not too much info on this montel character, but one thing we do know is that he s a man with a penchant for vintage house & garage. a dj, collector and producer that has decided to give back a little after all these years. and these years of experience are certainly evident in his authentic house and garage sound that has already picked up a fan base that includes bicep, jordan peak and waze & odyssey!

the founders of lets play house records—new yorkers jacques renault and nik mercer—have started a new imprint in an effort to continue pushing the envelope and expanding their stylistic reach. g.m. is a vinyl-only label that will exist for eight installments, each one signifying a different phase of the moon. the releases will vary in tone and aesthetic, but, suffice it to say, each will be harder and heavier than what lph proper puts forth. the series commences with four bombastic, techno-leaning barn-burners by a man who goes simply by almost. g.m. guarantees that they will tear up any club floor.

the second release from unknown is a vinyl only release ... busy working on an album the four tracks here are part of his #001-#010 series that heralded his existence on youtube. aside from remixes .. this is the only unknown material that will be available until a new ep and album in the spring and later part of the year .. these tracks were not due for release but he has received a large number of mails enquiring about a release date for them so here is the limited vinyl .

volume three with four first class underground house monsters

fresh up specialise in strictly limited edition 45rpm singles showcasing the finest in library funk, moog disco and vocoder boogie sounds. fresh up are proud to announce their 10th release! bbii are a mysterious all-star session group gathered from the four corners of london to compose and record funky disco and soundtrack gems. *disco network* is a circa-1980 italo chugger featuring live percussion, rhodes piano and plenty of vintage synths. just the right balance of cosmic groove and happy melody to launch a party! *frog funk* is a funky library-style jam featuring fender rhodes piano over a ribbitting wahwah bass and funky clav backing with a finger-snappin beat.

black tekno emerges from the undercurrent of chicago with its first release, an acid infused, floor jacking four track ep from noleian reusse entitled *second language*. the songs here are aimed at the dancer, ranging from emotional sci fi to straight up party jams. all tracks were recorded live - hands on the keys, knobs and faders of noleian’s analog hardware setup.

brand new label contemporary scarecrow launches this january with a double pack vinyl ep from chicago house veteran boo williams, entitled >back to the future / looney chunes vol.1<. contemporary scarecrow is an australian based fashion and record company bringing you intriguing clothing and music. here the labels inaugural release kicks things off in style with four fresh cuts from boo williams and three tracks from the past repressed for the package and accompanied by full colour sleeves. boo williams was propelled into the underground house and techno scene through long time ally glenn underground who introduced williams to music production back in the late 90s, boo has since gone on to record for reputable imprint such as josh winks ovum, rush hour and cajmeres releif.

and so here it is, ab initio 02, once again a four tracker, and once again all winners for discerning dj’s and fans alike. musically this is sebastien san at his very very best. a four-track winner!

while sam barker & andreas baumecker are spending time on the road with their impressive hardware live set (during which they fuse tracks from their debut album *transsektoral* with new dancefloor burning material), some of their closest peers have been busy on their own re-workings, resulting in four tracks from their album in new, exciting flavours.

ghostly founder, production maestro and experimental pop visionary matthew dear breaks out a roll call of remixers for the release of *fighting is futile*, the third single off his acclaimed album beams. the single comes accompanied by four remixes, each holding a mirror to the original and refracting it into a surfeit of fascinating new forms.

special 2x12 inch lp gatefold edition, featuring the very best of the delta blues master on heavyweight 180 gram vinyl.

as the rumors tell, this obscure piece of music was arranged by three acquaintances, who, by mere coincidence, formed a spontaneous, poly-toxic think tank one marvellous sunday morning, celebrating the beauty of old house music, while at the same time mocking the somehow cheap and predictable functionality of the four to the floor sound design. to honor the inspirational value of situations like these, the decision was made to share the result with a bigger audience. as a meta text, the lyrics form a tongue in cheek comment on nostalgic good old days aesthetics, and are simultaneously, and quite paradoxically, reminiscent of the utopian and transgressive vision of early house and techno music. if there is anything that we can retrieve from this vision today, it is the encouragement to create funny, pleasant and playful situations for ourselves and the like-minded, escaping the seriousness and boredom of the professionalized party and music business. and this is exactly the spirit, which is materialized on this piece of wax.

the neneh cherry & the thing collab-album receives a first-class remix treatment.

our second release is by newcomer mint 4000. we are sure his anonymity will soon disappear. four tracks of intelligent, deep goodness, cuts of varying degrees of intensity to suit all intimate dancefloors. appian sounds is a vinyl only label based out of london with firm roots in dublin.
12inch release
limited hand numbered copies
no repress
no digital
all influences
limited pressings
artwork designed by philip mitton
focus on quality

the first release of the new dutch label pinkman contains four great tracks from drvg cvltvre, formerly known as ra-x. his music is slow, doomy, with broken disco and house elements, focussing on on hypnotic repetition and percussion. most of the music is made with electronic means, but is rooted in an organic, percussive approach.

preternity is a vinyl that collects together four of the most dynamic artists in electronic music delving into tracks from dadubs forthcoming album ‘you are eternity. dadubs album positions itself as part of an eternity which is forever recurring and in this context lucy, lakker, rrose and kangding rays remixes emerge as parallel versions of the original tracks. revolving around the axis of ‘you are eternity the artists use analogue machines and digital devices to either encode or decode dadubs vision.

oliver hos alias for the less obvious techno stompers has always been full of surprises. although you can take the man out of the rave, but not the rave out of the man, raudives >traffic ep< is a retro futuristic team of hermaphrodites. four tracks that recall metal dance - the genre that never was - as well as disco elements, house hints, a techno taste and wave wonders. a record made for sven vaeth and trevor jackson, with >beams< already on heavy rotation with dixon and ame for a while now.

mutual musik is back on deck: the label, which for the time being is based in berlin and munich, – kicks off its third ep with liell. liell stands for >liebe ist ein leises lied< (love is a quiet song) and the four new tracks from label captain johannes beck reveal techno from a poetic and fragile aspect. beck’s sophisticated compositions are characterized by slowly evolving arcs of suspense, simultaneously careful and powerful piano cues, and basses which delve into the innermost realms. the tracks are created for the club but go beyond musical fads and count on a timeless style

preceding the release of bad cop bad cops debut album >wings of techno<, 4 tracks of the long player get the remix treatment by a unique quartet of techno artists: tobias, group niob, brendon moeller and pomelos upcoming star kemetrix. >wings of techno< is a psychedelic tour-de force through various styles of electronic sounds. deep and unique, jacking at times while laid back and cosmic at others. all four remixers on duty here manage to keep the psychedelic and surreal feel of the originals intact while adding a great dose of dancefloor friendliness to the tracks. ostguts tobias. reworks hilton hihat into a deep and dreamy acid techno tune. he is followed by motor city talent kemetrix, who steps up the pace and edginess with a twisted, stomping electro-techno hybrid remake of beauty. group niob, the viennese duo formed by cheap records legend gerhard potuznik and martin dibek, contrast the goth-pop vocals of the original bodyless material with deep dubbed- out techno beats. and lastly, the unmistakeable brendon moeller turns cheeky into an undulating, deep bass driven dub techno stomper